for drum set, Minimoog and two speakers 14\u2032 (2019) <\/p>\n\n\n\n
\u00bb"Amphiference" was created for the vinyl album of the same name and engages with music from psychedelic rock as a powerful social agent in the sense of "agential realism" (Karen Barad, Meeting the Universe Halfway, 2007). The openness of a relatively large group to music categorized as "experimental" provides the impetus to explore this era and connect it with contemporary thinking: ecstatic, extremely physical music encounters structurally comprehensible complexity, whereby existing material is recognizably preserved and simultaneously radically hybridized. The instruments are electronically placed in dependency via a convolution filter; the resulting spectral intersection of both sounds emerges from the speakers \u2013 as an allegory of mixing and of already being mixed.<\/p>\n\n\n\n
video<\/a> \u00b7 Score<\/a> \u00b7 Audio\/Release<\/a><\/p>\n\n\n\n